• Champollion by William Corwin

    Champollion consists of a series of cast sculptures in plaster, lead, and resin. Some of the sculptures are dyed to provide a consistent color throughout the volume of the piece. The installation consists of a ziggurat and a pedestal representing the Egyptian solar bark of the sky on which the gods reside.  Curator David Goodman offers […]

    David Goodman 0 Comments August 8, 2016
  • Gregory Siff

    “Your battles inspired me – not the obvious material battles but those that were fought and won behind your forehead.” ― James Joyce Portraits don’t happen in an instant.  They are born from years spent staring at the blank page, a white canvas, an empty frame.  They are made of microscopic particles of the physical […]

    A. Moret 0 Comments July 29, 2016
  • Lado Pochkhua at VOLTA12

    Lado Pochkhua (presented by Project ArtBeat, Tbilisi) takes on post-Soviet identity in his draftsman-quality renderings of Georgian aristocracy, a decidedly “old-school” approach that highlights both technique and time period.  

    Installation Magazine 0 Comments June 11, 2016
  • Kevin Bourgeois at VOLTA12

    Kevin Bourgeois (presented by Causey Contemporary, New York) assembles At Play in the Fields of the Lord, a site-specific and interaction installation that furthers his investigation and critique of unseen policing and social fragmentation within “The Cloud” of anonymous, ephemeral contemporary culture.          

    Installation Magazine 0 Comments June 11, 2016
  • Jeffrey Hargrave at VOLTA12

    Subject of Escape Route, a solo exhibition at Bronx Museum of the Arts, Jeffery Spencer Hargrave (presented by Ethan Cohen New York, New York) filters art history through Black history and queer identity, manifesting a refreshing directness and witty honesty throughout.      

    Installation Magazine 0 Comments June 11, 2016
  • Avital Burg at VOLTA12

    Born in Tel Aviv and based in New York, journalist and visual artist Avital Burg (presented by Slag Gallery, Brooklyn) re-contextualizes art historic tropes of portraying charged interior spaces with experimental techniques and sociopolitical undertones.        

    Installation Magazine 0 Comments June 11, 2016