• Tricia Zigmund

    The photographs of Los Angeles Tricia Zigmund are explosive.  Using her own body as a tool to guide her compositions, the images are filled with an undeniable energy and urgency.  Zigmund uses her body as means to explore the influence of an action and the reaction it induces.     Why did you decide to pursue […]

    Tricia Zigmund No responses November 23, 2013
  • Adam Bell

    The series of inkjet prints were taken from 2009-2012 investigating the interiors of caves and grottos in North America.  In addition to his photographic practice, Adam Bell is an author and editor of The Education of a Photographer.  His writings have been published in Ahorn Magazine, foam International Photography Magazine, photo-eye, Lay Flat, and the […]

    Adam Bell No responses November 23, 2013
  • Aram Jibilian

    Aram Jibilian investigates the late Arshile Gorky through the lens of the glass house, the artist’s final residence before his suicide in 1948 in his latest series of photographs Gorky and the Glass House.  An Armenian living in America in exile, Gorky’s identity was in a constant state of flux and served as a point […]

    Aram Jibilian No responses November 22, 2013
  • Cornelia Hediger

    A literary term derived from the German “double-goer” the doppelgänger refers to a ghostly shadow that follows its living counterpart.  For Cornelia Hediger, the doppelgänger is a point of exploration in her self-portraits, which are large-scale photographs divided in multiple frames and then pieced together in a manner where the lines of the furniture and […]

    Cornelia Hediger No responses November 22, 2013
  • Richard Barnes

    Richard Barnes’s work captures the hidden environment of once wild animals forever preserved in great museum halls.  While the public can travel to their native land to see primates run free, those living in our urban jungles can view hyper-realistic still life environments behind security glass barriers.  Barnes visits these restricted enclosures, recording photographic proof […]

    Richard Barnes No responses November 21, 2013
  • Michael Salvatore Tierney

    In Untitled, the Utopian Project there’s a tension between the yellowed curling cord of a phone with no visible numbers, against a futuristic honeycombed patterned wall.  There is an urge to reach through the boundaries of the photograph and pick up the phone in case there is a voice on the other end, waiting to deliver […]

    Michael Salvatore Tierney No responses November 21, 2013