• Rainer Hosch: Apocalypse Now

    The outstretched branches of the Joshua tree quiver with fiery spiky leaves and recede into the horizon. The single trunk that supports the once-thriving plant species still stands despite enduring intense heat and the unforgiving wrath of flames.  Rainer Hosch’s documentation of the scorched earth in the aftermath of the Dome fire, just one of […]

    A. Moret No responses December 27, 2020
  • The Ethnographic Journals of Gregory Siff

    “Did we forget? Life is a thrill!” The studio echoes with the unmistakable charismatic voice of Gregory Siff. The proclamation is accentuated by the cadence of his Brooklyn accent and while much of his face is covered by a cloth mask bearing the official logo of the Major League Baseball commission there are traces of […]

    A. Moret No responses December 3, 2020
  • Kadar Brock: The Gesture of a Mark

    Brooklyn-based abstraction alchemist Kadar Brock approaches his paintings as objects themselves, sanding and abrading them and extracting colorful remnants from old canvases as surface materials and activated media toward new works. His process of creation, deletion, recycling, and renewal achieves results that blur the line between painting and sculpture, waste and reward.

    Installation Magazine No responses June 12, 2014
  • Christian Patterson

    In Sound Affects New York based photographer Christian Patterson celebrates the artifice of an atmosphere in large C-prints.  Tacky bars bathed in neon light and kitsch decor, trinkets collecting dust, and destinations like Skateland that conjure a sense of nostalgia.  Christian Patterson guides us in the footsteps of a stranger, a subject that is never […]

    Installation Magazine No responses November 6, 2013
  • Mark Schoening: Perspectival Shift

    Mark Schoening’s works are explosive.  The compositions appear as though they were created in one, single effortless gesture.  Two-dimensional space is transformed into a three-dimensional optical playground.  Shards of confetti, submersed in bleeding black inks glow from beneath a hard-candy resin veneer.  Schoening’s works exude a palpable energy and demonstrate a playful manipulation of surface […]

    A. Moret No responses March 21, 2013