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Rainer Hosch: Apocalypse Now
The outstretched branches of the Joshua tree quiver with fiery spiky leaves and recede into the horizon. The single trunk that supports the once-thriving plant species still stands despite enduring intense heat and the unforgiving wrath of flames. Rainer Hosch’s documentation of the scorched earth in the aftermath of the Dome fire, just one of […]
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Enrique Martínez Celaya, “The Tears of Things”
Four years have passed since visiting Enrique Martínez Celaya at his Los Angeles studio. Returning to the immaculate compound assuages my mind, knowing that despite the cataclysmic changes that have dictated the recent circumstances of my world, the studio remains free of the impurities of an otherwise unpredictable landscape overrun by chaos and disorder. […]
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Rainer Hosch’s “Topanga Beach”
Rainer Hosch captures faces and places with an unflinching authenticity. Installation Magazine has had the distinct privilege of working alongside Hosch since our founding and his vision helped us further define the aesthetic of the Vanguard editorial department. While Hosch has an extensive series of portraits or as he would call them “mug shots” of […]
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The Vanguard Diaries Continue
Installation Magazine first introduced The Vanguard Diaries as the inaugural editorial featuring the photography of Rainer Hosch. Known as “The Man with the Camera,” Rainer manages to capture the vibrations of creativity on film as thoughts stir inside the unquiet minds of artists. When he isn’t traveling the globe contributing to iconic fashion and lifestyle publications, he […]
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The Copenhagen Interpretation
In the vibrant, emergent neighborhood of Manhattan’s Lower East Side, some of the most exciting contemporary art is evolving and being seen. It’s no surprise, then, that a new kind of gallery would spring up, playing to more alternative and intimate tastes than those of the “white cube” variety housed in Chelsea or the Upper […]
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Reflections on 100 Walkers with Richard Kraft
All images © Installation Magazine Photographed by Rainer Hosch Special thanks to Jared Clatworthy and Todd Super