• To Understand Time

    The bull horns have followed Gregory Siff to every studio he has ever had. The horns both signify the beauty of nature’s ferocity and channel the past in subtle whispers. Over the years, the horns collected the natural debris of airborne paint particles before they dried,  continually charged with the energy of ideas developed day in […]

    A. Moret No responses March 30, 2024
  • Gregory’s Drive-Thru

    No matter what medium Gregory Siff employs, his works are visceral creations bearing ethnographic symbols containing memories of childhood, family, and happiness.  His process is gestural and guided by the textures of paint, Krink, spray paint, pencils, colored markers, crayons, and whatever else he may discover across his studio.  The unmistakable authenticity of Gregory Siff […]

    A. Moret No responses April 9, 2021
  • The Ethnographic Journals of Gregory Siff

    “Did we forget? Life is a thrill!” The studio echoes with the unmistakable charismatic voice of Gregory Siff. The proclamation is accentuated by the cadence of his Brooklyn accent and while much of his face is covered by a cloth mask bearing the official logo of the Major League Baseball commission there are traces of […]

    A. Moret No responses December 3, 2020
  • Enrique Martínez Celaya, “The Tears of Things”

      Four years have passed since visiting Enrique Martínez Celaya at his Los Angeles studio.  Returning to the immaculate compound assuages my mind, knowing that despite the cataclysmic changes that have dictated the recent circumstances of my world, the studio remains free of the impurities of an otherwise unpredictable landscape overrun by chaos and disorder. […]

    A. Moret No responses September 12, 2019
  • Enrique Martínez Celaya: “Lone Star”

    Nestled inside an industrial complex off a beaten path in Culver City, adjacent to lush sprawling grills hills of a cemetery lined with flowers from visiting loved ones, lies a sanctuary of artistic solace.  A modest black plaque rests on the exterior brick wall with a crest bearing the profile of a whale rising above […]

    A. Moret No responses April 22, 2015
  • Nicholas Winter: Through a Lens in Basel

    Installation:  How has the environment of Basel inspired the direction of your work?  Nicholas Winter:  I’ve been in Basel for twelve years.  To be honest, I don’t find the city or the people photographically inspiring.  But there is something about it, I find that the subjects that interest me, that I want to capture are […]

    Installation Magazine No responses September 5, 2014