The series of inkjet prints were taken from 2009-2012 investigating the interiors of caves and grottos in North America. In addition to his photographic practice, Adam Bell is an author and editor of The Education of a Photographer. His writings have been published in Ahorn Magazine, foam International Photography Magazine, photo-eye, Lay Flat, and the Brooklyn Rail
Why did you decide to pursue your artistic practice on the East Coast?
My decision to stay on the East Coast was largely circumstantial. I grew up outside of Philadelphia, completed my undergraduate education in Ohio and moved to NYC along with a number of friends shortly after college. My family is also all located on the East Coast. When I was applying for grad school, I actually had to decide between the San Francisco Art Institute and the School of Visual Arts. Both are great schools, but I decided to stay in New York City. The move to San Francisco didn’t make sense to me at the time and SVA felt like a good fit.
Why not California?
Prior to moving to New York City, I almost moved out west, but my plans collapsed at the last minute. Perhaps it was a sign. In the end, the lure of New York was too strong.
What do you find distracting about your urban environment?
Like any large city, it’s easy to be seduced by the wealth of events, culture and art that surrounds you everyday in New York. There is always too much to see or do. At times, I almost wish there was less going on, so I would not feel so obligated to attend events or so guilty for missing them. You have to learn quickly to prioritize your own work and time in order keep making it. If you don’t, it can easily whither and die, or fall victim to the difficulties of getting by.
What feature do you feel is unique to your city?
I think the concentration and diversity of people, events and culture in New York City is unique. There is always more to discover and explore.
What do you find most appealing about the West Coast?
As a photographer, I’m most jealous of the light, the ocean and the proximity of the desert and mountains. On the East Coast, it is pretty difficult to escape the endless sprawl and urban landscape. While the grass is always greener, I wish I could drive one or two hours and be in the mountains or the desert.
What artists have influenced your practice the most?
That’s a tough question, because there are so many and each for different reasons. I find that the artists I admire most are not just the ones whose work I admire, but also the ones with longevity who’ve had the courage to keep challenging themselves and their work throughout their lives. If I limit myself to photographers and can cheat by naming a few, I would say John Gossage, Robert Adams, Paul Graham and Michael Schmidt. I would also add Charles Traub, who’s been a close friend, mentor and colleague since graduate school.
Images courtesy of Perry Rubenstein Gallery
THE 20+20 PHOTOGRAPHY ISSUE
Adam Bell is featured within Installation Magazine’s special 20+20 Photography Issue, which highlighted 20 Los Angeles and 20 New York City photographers. Download the full issue on your iPad and iPhone.