• Gregory’s Drive-Thru

    No matter what medium Gregory Siff employs, his works are visceral creations bearing ethnographic symbols containing memories of childhood, family, and happiness.  His process is gestural and guided by the textures of paint, Krink, spray paint, pencils, colored markers, crayons, and whatever else he may discover across his studio.  The unmistakable authenticity of Gregory Siff […]

    A. Moret No responses April 9, 2021
  • Robert Longo: Storm of Hope

    This year has been a ‘Storm of Hope,” in many ways.  The phrase is anthemic and poignant in that it speaks to the eye of the storm that we have found ourselves in- one unprecedented rain after another.  Robert Longo looks to the unflinching photographic documentation of these moments and renders them by hand so […]

    A. Moret No responses February 27, 2021
  • Rainer Hosch: Apocalypse Now

    The outstretched branches of the Joshua tree quiver with fiery spiky leaves and recede into the horizon. The single trunk that supports the once-thriving plant species still stands despite enduring intense heat and the unforgiving wrath of flames.  Rainer Hosch’s documentation of the scorched earth in the aftermath of the Dome fire, just one of […]

    A. Moret No responses December 27, 2020
  • George Byrne: Post Truth

    The photographs of George Byrne revel in a stillness that is part mystical, part abstract, and entirely surreal echoing the dichotomous nature of the city of Los Angeles that the artist has adopted as home. Curated by Margot Ross, Post Truth is both a solo exhibition and book release exploring five years of work that […]

    A. Moret No responses December 24, 2020
  • The Ethnographic Journals of Gregory Siff

    “Did we forget? Life is a thrill!” The studio echoes with the unmistakable charismatic voice of Gregory Siff. The proclamation is accentuated by the cadence of his Brooklyn accent and while much of his face is covered by a cloth mask bearing the official logo of the Major League Baseball commission there are traces of […]

    A. Moret No responses December 3, 2020
  • Enrique Martínez Celaya, “The Tears of Things”

      Four years have passed since visiting Enrique Martínez Celaya at his Los Angeles studio. Returning to the immaculate compound assuages my mind, knowing that despite the cataclysmic changes that have dictated the recent circumstances of my world, the studio remains free of the impurities of an otherwise unpredictable landscape overrun by chaos and disorder. […]

    A. Moret No responses September 12, 2019