A. Moret Founder, Artistic Director & Editor-in-Chief. Moret has developed a fine art editorial background in her contributions to regional and national publications. Before founding Installation, she was a member of the editorial team of the Los Angeles Times Magazine. A collector and art enthusiast, Moret curates our weekly features and inspiring collaborations.
  • The In Between: Enrique Martínez Celaya’s “The Sextant” Historia. History, the story, the foundation upon which our life is built, is preserved in the heart of memory. As if surrounded by a thin halo, it is protected by the understanding that the present can alter the fragile remains of what we hold onto. For Enrique Martínez Celaya, his story is covered in sugar. […] No responses February 28, 2026
  • Once Upon a Time in Hollywood Portraitist Rainer Hosch opens the vault. In his latest solo exhibition, Once Upon a Time in Hollywood, the artist reveals a trove of previously unseen photographs—an archive of pop culture’s most mythic figures—presented in Gallery Poulsen’s debut showing for the Copenhagen Photo Festival. But this is more than a portrait show. Hosch reshapes these familiar faces […] No responses June 12, 2025
  • California I was born and raised in Los Angeles. Native Angelenos are a rarity in a city that experiences nearly perennial sunshine. Are people really born here? As such, the landscape shines with the promises of renewal, reinvention, and opportunity. California will forever be a part of my DNA, imprinted on my tongue, as are the […] No responses February 2, 2025
  • Let’s VeeFriends: VeeCon 2023 Let’s VeeFriends! Editor-in-Chief A. Moret documents the faces of VeeCon 2023 on instant film.  Originally published in NFT Magazine, re-discover the experience from Veecon 2023. It’s 4:00 am, and the fluorescent lighting at the security checkpoint at LAX reminds me that I haven’t had coffee yet. While my eyes still struggle to focus, I don’t […] No responses August 9, 2024
  • George Byrne: Synthetica I first interviewed George Byrne in 2020 during his solo exhibition, “Post Truth,” at domicile (n.) in East Hollywood. The article “Lensman as a Cultural Conservationist” was published at the height of the pandemic. We met on the back patio of the Hollywood gallery, under the shadow of the Scientology building, also known as “Big […] No responses June 6, 2024
  • The Post-Internet Renaissance In Part 02 of our exclusive interview with Gordon Goner, first published in NFT Magazine, we look ahead to the future of fine art NFTs. The trajectory of the traditional art world (also referred to as the “white cube”) has significantly remained unchanged, anchored in suspended animation. While auction houses and select institutions have expanded […] No responses May 20, 2024