His first solo exhibition with Samsøn, Neoplasms and Pleonasms, explores the spiritual practice and the sense of oneness that has been lost in modern society. In his artist’s statement, he concludes by quoting Russell Brand, “What it felt to me was like the dissolution of the idea of myself. I felt like separateness evaporated. I felt this tremendous sense of oneness. I find it odd. I’m quite an erratic thinker, quite an adrenalized person, but through meditation I felt this sort of beautiful serenity and selfless connection. My tendency toward selfishness, I felt that kind of exposed as a superficial and pointless perspective to have. I felt a very relaxed sense of oneness. I felt that. I felt love.” Look out for these amazing conceptual works during the fair.
![Carlos Jiménez Cahua, Untitled #72 (Native, blue output of a digital projector [i.e., one with no video input] pointed toward a television playing a loop of a video of pure yellow), digital projector, CRT television with DVD video dimensions variable, ed. of 3 + 1AP, 2013](https://installationmag.com/wp-content/uploads/2014/01/photo-1.jpg)
All images © Samsøn