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Photography
  • Anthony Goicolea: An Unfolding Tableau

    Anthony Goicolea continues to push his fantastic photographic tableaux, maneuvering from the wildly complex multiple self-portraits that he perfected in the previous decade to conceptual territories of displacement and alienation in unpopulated hybrid landscapes.

    Installation Magazine No responses June 12, 2014
  • Peter Funch: Connecting with a Disconnect

    Peter Funch has established himself as a very respected contemporary art photographer. He just had his second solo exhibition at V1 Gallery in Copenhagen, and simultaneously his work is to be experienced as part of the Danish Pavilion at the World EXPO in Shanghai.

    Installation Magazine No responses June 12, 2014
  • Lisa Adams in Conversation

    The artist’s studio is a fortress of soliitude, loneliness, temporary creative blindness and shimmering lights of wonder. Installation Magazine sat down with Lisa Adams in Downtown Los Angeles and discussed the challenges faced being an artist without an assistant, a single practitioner at the helm of an insular discourse.     Photography © Rainer Hosch […]

    Installation Magazine No responses June 6, 2014
  • Chris Engman: Ink on Paper

    Luis De Jesus Los Angeles presents Los Angeles-based artist Chris Engman in his first solo exhibition titled Ink on Paper, on view until May 10, 2014. Ink on Paper represents a temporary shift in Engman’s artistic practice from photographic documentation on environmental installation phenomena – records of processes and the passage of time – to […]

    Installation Magazine No responses April 8, 2014
  • Adele Mills: Parallax Gap

    A photograph is just a flat surface it does not give enough or reveal enough- I want to get inside the image.  Photography has always disappointed me.  I have always wanted it to be more.  It promises an intimate return of a memory but it cannot fully deliver on that promise.  My frustration got me […]

    Adele Mills No responses April 3, 2014
  • Darryll Schiff: The Barrage of the Digital World

    We were embedded with a strong technical craftsmanship because of the school’s New Bauhaus origins, yet at the same time we were led to be forward-thinking artists.  This could not have fit any better with my psyche and belief that as an artist, the tools we use are simply gateways to share our vision. Many […]

    Daryll Schiff No responses April 3, 2014

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