• To Understand Time

    The bull horns have followed Gregory Siff to every studio he has ever had. The horns both signify the beauty of nature’s ferocity and channel the past in subtle whispers. Over the years, the horns collected the natural debris of airborne paint particles before they dried,  continually charged with the energy of ideas developed day in […]

    A. Moret No responses March 30, 2024
  • The Four Quartets of Los Angeles

    Standing behind a bouquet of crimson red roses, Enrique Martínez Celaya waits to address a host of guests.  Their echoes carry from the exterior which too is lined with smaller arrangements of roses in round vases and illuminated by candlelight and spills into the gallery, creating a gentle roar.  Standing shoulder to shoulder, the UTA […]

    A. Moret No responses February 22, 2022
  • Enrique Martínez Celaya, “The Tears of Things”

      Four years have passed since visiting Enrique Martínez Celaya at his Los Angeles studio.  Returning to the immaculate compound assuages my mind, knowing that despite the cataclysmic changes that have dictated the recent circumstances of my world, the studio remains free of the impurities of an otherwise unpredictable landscape overrun by chaos and disorder. […]

    A. Moret No responses September 12, 2019
  • Enrique Martínez Celaya: “Lone Star”

    Nestled inside an industrial complex off a beaten path in Culver City, adjacent to lush sprawling grills hills of a cemetery lined with flowers from visiting loved ones, lies a sanctuary of artistic solace.  A modest black plaque rests on the exterior brick wall with a crest bearing the profile of a whale rising above […]

    A. Moret No responses April 22, 2015
  • Chad Wys: Presence/Absence

    Multi-disciplinary artist Chad Wys interrogates the infrastructure of art history.  In appropriating the canon, Wys uses contemporary digital technology to intervene, and to siphon back through the history of art in order to extract kernels of information and misinformation.  His practice is one of both revelation and obfuscation but leaves the meaning to be made […]

    A. Moret No responses May 11, 2013
  • The Analytic Lyric: As Yet

    We are pleased to share TODD BARONS’s poetry for the second time in Installation Magazine, but you will notice that his Think contribution is rather different from previous issues.  A mediation on the completion of his recent book of poetry AS YET, published by Chax Press, Baron opens a portal inside his creative process and […]

    Todd Baron No responses April 2, 2013