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Daniel Rolnik: Pop-Up Magic
In Issue 10 we presented an exclusive feature on Daniel Rolnik’s latest curatorial endeavor, THE PRINT POP COLLECTION at The Venice Art Walk. Now that a few weeks have passed, Daniel shares his thoughts with Installation on the success of the pop-up and the future of his newly co-founded venture Intellectual Property Prints. By Daniel […]
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MoLAA: Arte Latino
The Museum of Latin American Art (MoLAA) celebrates patronage, community, and a diversified roster of artists in their 10th Annual Gala. The historical roots of Los Angeles are based in Latin American culture. We are constantly reminded of the influence on our daily commute as street names throughout the Westside and Downtown identify Los Angeles’ relationship […]
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Tchmo: Mash Up
Digital artist Tchmo calls the Internet his home. A virtual destination the reveals the cyclical nature of his work as it is the primary site of his source material and the vehicle that connects him to an international marketplace. Installation Magazine: In our email correspondence you mentioned that you don’t often discuss your work. Why is […]
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Sammy Slabbinck: Photographic Memory
Collage artist Sammy Slabbinck is like a director, placing found imagery from Mid-Century advertisements in a contemporary context. The result is a composition that meditates on the past and considers the absurdity of popular culture. Installation Magazine: How has your background impacted your current art practice? Sammy Slabbinck: I never went to art school. I did […]
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Anatol Knotek: Play With Your Words
For Austrian artist and poet Anatol Knotek words possess dimension, weight, and depth. Inspired by Concrete and Visual poets who regard the typographical arrangement and shape of a poem to be as critical to its message as the meaning of the words themselves, Knotek makes language a malleable material in his practice. Installation Magazine: When did […]
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William Powhida: Tropes in the Art Market
William Powhida describes the narrative and use of stylistic tropes behind a selection of panels in his current solo exhibition Bill by Bill at Charlie James Gallery. The panels in Bill by Bill serve a few purposes in the show from authenticating the objects which are all unsigned products of commercial and collaborative fabrication, to […]