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Chandler McWilliams: Linguistic Potency
Chandler McWilliams first appeared on our radar when attending the CalArts MFA 100×100 fundraiser sponsored by For Your Art. A one-day event offering 100 pieces of artwork from 35 graduate students, McWilliams’ work immediately stood out. In fact his Aphorism titled Great Distance is a current fixture in the Installation office. McWilliams approaches his practice […]
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Miller Updegraff: Before the Image Fades
There are several raw canvases that have been stretched by hand, drying on the lawn in the mid afternoon sun. Several overturned, empty white gallon buckets support either side. A makeshift assembly line that would only be possible in Southern California. Seated outside of his converted garage studio, Miller Updegraff wrings his hands, stained from […]
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The Analytic Lyric: As Yet
We are pleased to share TODD BARONS’s poetry for the second time in Installation Magazine, but you will notice that his Think contribution is rather different from previous issues. A mediation on the completion of his recent book of poetry AS YET, published by Chax Press, Baron opens a portal inside his creative process and […]
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The Architecture of Storytelling
Mike Walzman, author of The Fall to Freedom reflects on his creative process and tells us how Frank Lloyd Wright changed the way he looks at literature. Walzman’s work has been published in BCN Week, We Feel Pretty, Zine Columbia, Ra, and Feathertale. I have two three-by-five note cards on my desk. One says, […]
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Lisa Nilsson: Pulp Anatomy
Science and art have long been relegated to the left and right brain respectively: two distinct modes of theory that confound the possibility for coexistence. Pragmatism is pitted against creativity and order contends with unpredictability. Although the technical practice of fine art is often analogous to a scientific one, art is consumed as though it […]
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Mark Schoening: Perspectival Shift
Mark Schoening’s works are explosive. The compositions appear as though they were created in one, single effortless gesture. Two-dimensional space is transformed into a three-dimensional optical playground. Shards of confetti, submersed in bleeding black inks glow from beneath a hard-candy resin veneer. Schoening’s works exude a palpable energy and demonstrate a playful manipulation of surface […]