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Anatol Knotek: Play With Your Words
For Austrian artist and poet Anatol Knotek words possess dimension, weight, and depth. Inspired by Concrete and Visual poets who regard the typographical arrangement and shape of a poem to be as critical to its message as the meaning of the words themselves, Knotek makes language a malleable material in his practice. Installation Magazine: When did […]
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William Powhida: Tropes in the Art Market
William Powhida describes the narrative and use of stylistic tropes behind a selection of panels in his current solo exhibition Bill by Bill at Charlie James Gallery. The panels in Bill by Bill serve a few purposes in the show from authenticating the objects which are all unsigned products of commercial and collaborative fabrication, to […]
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Claressinka Anderson: An Assault on the Senses
Installation speaks with Glasgow duo Craig Little and Blake Whitehead of littlewhitehead about their upcoming solo exhibition. Unfinished Business is their second show with Marine Contemporary and we’re offering a preview of the the work before the opening on May 23. Gallerist and owner Claressinka Anderson discusses the evolution of their process and what drew […]
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Intellectual Property Prints: We’re Not Making Posters Here– We’re Making Art
“The World’s Most Adorable Art Critic” Daniel Rolnik curates THE PRINT POP COLLECTION the first pop-up in the 34-year history of the Venice Art Walk. Visitors pay an admission fee for a wristband and a map that allows them to explore artists’ studios, take architectural tours and attend a silent auction. On Sunday, May 19, […]
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David O’Malley: Drifting in Splendid Isolation
Like astronauts who explore to the ends of the galaxy, an artist’s journey is filled with a similar degree of isolation, uncertainty, and mystery. Art and space science are channels through which David O’Malley relates to his London environ of eight million strangers. His canvases convey infinite possibilities breaking through the void of quotidian drudgery. […]
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Robert Seidel: Handmade Shadows
Through experimental film, video projection and installation, Berlin-based artist Robert Seidel brings dimension and life to abstraction. The artist’s latest installation Tearing Shadows just concluded at 401contemporary in Berlin. Seidel is now preparing his first permanent installation Grapheme as part of a new wing for the Museum Wiesbaden. Installation Magazine: How did you arrive at video […]
