Art
  • Cole Rise: Spectral Illumination

    Through the lens of the camera, Cole Rise contemplates his place in the Universe.  Driving across the country in search of awe inspiring landscapes revered for their sheer enormity and history on earth, the methodology behind Rise’s photographic practice requires a perspective that looks within and beyond.  While the subjects of his photographs seem ancient […]

    A. Moret No responses August 1, 2014
  • Spencer Lowell: The Urban Alchemist

      “The photographic method is like observation because you’re taking notes, forming hypothesis, bring samples back to the lab, you’re processing them and then you’re drawing conclusions and sharing what you find with people and essentially that’s one of the best parts.” How did a zebra find itself on a splintered asphalt highway in the […]

    A. Moret No responses August 1, 2014
  • Keegan Gibbs: Free Flow

    A collaboration with Keegan Gibbs

    A. Moret No responses August 1, 2014
  • Hugh Holland: Asphalt Angels

    Installation Magzine: Skate Contest Spectators, Torrance (No. 62), 1975 immediately became one of our favorite images because it is so distinct from your other photographs taken from 1975 through 1978.  HUGH HOLLAND: It’s surprising to me.  I got thousands of pictures from those three years that were sitting in boxes for over thirty years.  Steve Crist, […]

    A. Moret No responses August 1, 2014
  • Los Angeles Street Art Grid

    While Art in the Streets at Geffen Contemporary MOCA has recently cast a national spotlight on what was once an underground world of street and graffiti art, Known Gallery has cultivated and exhibited works from those very artists all along, including influential artists RETNA, SABER and REVOK.  Giving street artists a voice and space to […]

    KnownGallery One response August 1, 2014
  • Kadar Brock: The Gesture of a Mark

    Brooklyn-based abstraction alchemist Kadar Brock approaches his paintings as objects themselves, sanding and abrading them and extracting colorful remnants from old canvases as surface materials and activated media toward new works. His process of creation, deletion, recycling, and renewal achieves results that blur the line between painting and sculpture, waste and reward.

    Installation Magazine No responses June 12, 2014