A wall of immaculate vintage film and video cameras lined the entryway of Quam Odunsi’s first LA solo exhibition Anachronistic Capture: Motion & Stills at Design Matters. In a moment characterized by rapidly transmitted digital images, Odunsi’s conviction to document the world through analogue lens types such as Polaroid, Fujiroid, 35mm, and Super 8mm film […]

In 2005 Dan Tague watched his life wash away before his eyes.  A native of New Orleans, Tague was living in Mid City, which received about 7.5 feet of water, mud, filth, gas, sludge, waste and death when Hurricane Katrina hit.  He witnessed firsthand the deterioration of local and federal government, the breakdown of human kind […]

Celebrated international fashion photographer Terry Richardson employs a signature snapshot aesthetic in his work for Gucci, Levis, Jimmy Choo, and Tom Ford, editorial for Vogue, Harpers Bizarre and GQ as well as the candid portraits taken in his New York City studio.  The implementation of low-tech mediums like point and shoot cameras proves that it […]

Jordan Fox defies categories but defines them as well.  The New York based performer believes the human body is a blank canvas and with the right combination of couture and makeup he can adopt any persona imaginable.  Tony Chavira speaks with Fox about the influence of sexuality, eroticism and the fluidity of gender.   Tony […]

Installation Magazine was introduced to the work of Japanese-born artist Keisuke Shirota last year at PULSE Los Angeles.  Galerie Stefan Röpke presented Installation with a limited edition copy of A Sense of Distance, a collection of Shirota’s works wherein the photographic plane is manipulated by a deft painterly hand.  The works are beautiful and haunting […]

There were once stores so busy that parking lots expanded for miles to accommodate their traffic. There were once gas stations so coordinated that travelers were easily accommodated to and from their destinations.  There were once industrial parks so filled with work and productivity that the idea of an economic collapse seemed ludicrous, almost unreasonable. […]