The Reagents is Odunsi’s second solo exhibition and presents a similar curiosity with Los Angeles as Anachronistic Capture: Motion & Stills did in April 2012. Working under the pseudonym Reserve Result, Odunsi presents a narrative of an agent, a government official, conducting surveillance on special interest groups. He finds himself becoming increasingly absorbed by the citizens and their private lives. The Reagents: Film on Paper & Canvas are the film images and content from these surveillances of the lives of others. Working with analogue mediums including screen prints, archival ink prints and Super 8 film Odunsi captures fleeting moments that cannot be reproduced.
![Quam Odunsi, Untitled [Pool Ladies], acrylic, 40” x 40”, 2013, Unique / Edition of 1](https://installationmag.com/wp-content/uploads/2013/10/08-01-Painting-The-Reagents-Design-Matters-1200x795.jpg)
![Quam Odunsi, Untitled [Tonka], hand pulled, screen print on Coventry Rag 320gsm archival paper with hand-torn deckled edges, 18” x 24”, 2013, Edition of 40, Signed & Numbered](https://installationmag.com/wp-content/uploads/2013/10/08-02-Silkscreen-Print-The-Reagents-Design-Matters-1200x795.jpg)
Featured Video: Quam Odunsi, Untitled (The LED Logogram letters of HAS), Metal, Resin, Enamel, 2013, Unique / Edition of 1