• Chad Wys: Presence/Absence

    Multi-disciplinary artist Chad Wys interrogates the infrastructure of art history.  In appropriating the canon, Wys uses contemporary digital technology to intervene, and to siphon back through the history of art in order to extract kernels of information and misinformation.  His practice is one of both revelation and obfuscation but leaves the meaning to be made […]

    A. Moret No responses May 11, 2013
  • Daniel Barreto: Urban Density

    Installation recently discovered the works of emerging artist Daniel Barreto on Tumblr.  A freelance artist still pursuing an art degree, Barreto thrives by sharing his work on a dynamic, interactive platform.  Barreto presents a diverse body of work that juxtaposes technology with traditional mediums.   Installation Magazine: The Photography Series of Profiles merges the urban landscape […]

    A. Moret One response May 11, 2013
  • Kevin Zucker: Digital Reliquary

    Imagine if your Google searches existed as physical objects.  Suddenly these searches wouldn’t just occupy a virtual queue but would become enlivened with a material presence.  New York based artist and RISD professor Kevin Zucker considers how image and meaning change in their metamorphosis from the digital to the concrete. Installation Magazine: How do you […]

    A. Moret No responses April 26, 2013
  • View, Point, Shoot

    “I had just discovered the Leica.  It became the extension of my eye, and I have never been separated from it since I found it.” By Garet Field-Sells    Henri Cartier-Bresson exclaimed about the camera system he used to aid in his intuition, sensibility, and understanding of his subjects.  Developing as a young cinematography artist, […]

    Installation Magazine No responses March 12, 2013