Bauhaus.  A name that you’ve probably heard more than once in art history lecture halls or in the company of design mavens.  Named for the school of art, architecture and design founded in Germany by Walter Gropius and based in Weimar from 1919 to 1925 in Weimar, in Dessau between 1925 and 1932, and in Berlin from 1932 through 1933, the impact of its teachings has resonated years after it was shut down by the Nazis.  The name Bauhaus literally translates to “house of construction,” and the  gestalt of the movement emphasized functionality in form and united all disciplines of artistic practice.  In their Bauhaus collection, Artsy showcases the work of the pioneers of the movement in graphic design, photography, interior design and architecture whose aesthetic is still very much alive in modern times.

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Carl Auböck, Umbrella Stand, brass and iron, 
25” x 15” x 16”
, ca. 1950, Mondo Cane
Carl Auböck, Umbrella Stand, brass and iron, 
25” x 15” x 16”
, ca. 1950, Mondo Cane

 

 

Josef Albers,Variant/Adobe, oil on composition board
, 16 ½” x  22 ½”
, 1947, © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York, Dallas Museum of Art
Josef Albers,Variant/Adobe, oil on composition board
, 16 ½” x 22 ½”
, 1947 © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York, Dallas Museum of Art

 

 

Robert Nickle, Black Collage, collage on paper
, 10” x 10 ¼”, 1978-79, Senior & Shopmaker Gallery
Robert Nickle, Black Collage, collage on paper
, 10” x 10 ¼”, 1978-79, Senior & Shopmaker Gallery

 

 

Anni Albers, Do-C, Silkscreen
, 19”x 16 ½”, 1973, Albers Foundation, Photo by Tim Nighswander, Art Resource, NY, Albers, Anni (1899-1994) © ARS, NY, The Josef & Anni Albers Foundation, Bethany
Anni Albers, Do-C, silkscreen
, 19”x 16 ½”, 1973, Albers Foundation, Photo by Tim Nighswander, Art Resource, NY, Albers, Anni (1899-1994) © ARS, NY, The Josef & Anni Albers Foundation, Bethany

 

 

Mies Van Der Rohe, German pavillion for the International Art Exhibit, 1929, Erich Lessing, Art Resource, NY, Mies van der Rohe, Ludwig (1886-1969) © ARS, NY, Exhibition Pavillion, Barcelona, Spain
Mies Van Der Rohe, German pavillion for the International Art Exhibit, 1929, Erich Lessing, Art Resource, NY, Mies van der Rohe, Ludwig (1886-1969) © ARS, NY, Exhibition Pavillion, Barcelona, Spain

 

 

László Moholy-Nagy, Bridges 1 K 33, Gouache and collage on paper
, 13 ⅕” x 10”
, 1920, bpk, Berlin / Kupferstichkabinett, Staatliche Museen, Berlin, Germany, Photo By Joerg P. Anders /Art Resource, NY / Moholy-Nagy, Laszlo (1895-1946) © ARS, NY, Kupferstichkabinett, Staatliche Museen, Berlin
László Moholy-Nagy, Bridges 1 K 33, Gouache and collage on paper
, 13 ⅕” x 10”
, 1920, bpk, Berlin / Kupferstichkabinett, Staatliche Museen, Berlin, Germany, Photo By Joerg P. Anders /Art Resource, NY / Moholy-Nagy, Laszlo (1895-1946) © ARS, NY, Kupferstichkabinett, Staatliche Museen, Berlin

 

 

Lyonel Feininger, Gelmeroda, Woodcut
, 13 ⅛” x 9 ½”
, 1920 © Lyonel Feininger / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Dallas Museum of Art
Lyonel Feininger, Gelmeroda, woodcut
, 13 ⅛” x 9 ½”
, 1920
© Lyonel Feininger / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Dallas Museum of Art

 

 

Josef Albers, Homage to the Square: for J.H. Clark, Oil on Masonite, 
24” x 25”, 1961, © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York, Dallas Museum of Art
Josef Albers, Homage to the Square: for J.H. Clark, oil on Masonite, 
24” x 25”, 1961, © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York, Dallas Museum of Art

 

 

Wassily Kandinsky, Dreamy Improvisation, Oil on canvas, 1913, bpk, Berlin / Pinakothek der Moderne, Bayerische Staatsgemaeldesammlungen, Munich / Art Resource, NY / Kandinsky, Wassily (1866-1944) © ARS, NY, Pinakothek der Moderne, Bayerische Staatsgemäldesammlungen, Munich
Wassily Kandinsky, Dreamy Improvisation, oil on canvas, 1913, bpk, Berlin / Pinakothek der Moderne, Bayerische Staatsgemaeldesammlungen, Munich / Art Resource, NY / Kandinsky, Wassily (1866-1944) © ARS, NY, Pinakothek der Moderne, Bayerische Staatsgemäldesammlungen, Munich

 

 

Paul Klee, Port Scene, Bridgeman-Giraudon / Art Resource, NY / Klee, Paul (1879-1940) © ARS, NY, Atheneum Art Museum, Helsinki
Paul Klee, Port Scene, Bridgeman-Giraudon / Art Resource, NY / Klee, Paul (1879-1940) © ARS, NY, Atheneum Art Museum, Helsinki

 

 

Paul Klee, MUMOM sinkt trunken in den Sessel (MUMOM, Drunk, Collapses into an Armchair), Coloured paste on paper on cardboard
, 11 ⅗” x 8 3/10”
, 1940, Photo by Peter Schibli, Basel, Fondation Beyeler
Paul Klee, MUMOM sinkt trunken in den Sessel (MUMOM, Drunk, Collapses into an Armchair), coloured paste on paper on cardboard
, 11 ⅗” x 8 3/10”
, 1940, Photo by Peter Schibli, Basel, Fondation Beyeler

 

 

Wassily Kandinsky, Untitled, Oil on canvas, 1921, Erich Lessing / Art Resource, NY / Kandinsky, Wassily (1866-1944) © ARS, NY, Kunstmuseum Basel, Basel
Wassily Kandinsky, Untitled, Oil on canvas, 1921, Erich Lessing / Art Resource, NY / Kandinsky, Wassily (1866-1944) © ARS, NY, Kunstmuseum Basel, Basel

 

 

Gerrit Thomas Rietveld, unused Red Blue Chair with original transport crate, Painted wood, 31 ½” x 34 3/10” x 26”
, 1919, 
Executed by Gerard A. van de Groenekan, Galerie VIVID
Gerrit Thomas Rietveld, unused Red Blue Chair with original transport crate, painted wood, 31 ½” x 34 3/10” x 26”
, 1919, 
Executed by Gerard A. van de Groenekan, Galerie VIVID

 

 

László Moholy-Nagy, Yellow Cross Q.7, Oil on canvas, 37 ⅘” x 28”, 1922, Alinari / Art Resource, NY / Moholy-Nagy, Laszlo (1895-1946) © ARS, NY, Galleria nazionale d'arte moderna, Rome
László Moholy-Nagy, Yellow Cross Q.7, Oil on canvas, 37 ⅘” x 28”, 1922, Alinari / Art Resource, NY / Moholy-Nagy, Laszlo (1895-1946) © ARS, NY, Galleria nazionale d’arte moderna, Rome

 

Featured Image: Walter Gropius, Bauhaus, 1925-26, Photo by Allan T. Kohl, © Art Images for College Teaching (AICT), The Bauhaus Dessau, Foundation, Dessau