• SQUIDSOUP: An Ocean of Light

    Installation Magazine offers a first look at Squidsoup’s video documentation from their recent project Submergence and Volume 4,096.   Squidsoup, a multi-media collective spread out across Norway, the United Kingdom and New Zealand explores the gap between the virtual and physical worlds.  Overcoming the limitations of digital media, Squidsoup has developed several innovative and immersive light […]

    A. Moret No responses March 19, 2013
  • View, Point, Shoot

    “I had just discovered the Leica.  It became the extension of my eye, and I have never been separated from it since I found it.” By Garet Field-Sells    Henri Cartier-Bresson exclaimed about the camera system he used to aid in his intuition, sensibility, and understanding of his subjects.  Developing as a young cinematography artist, […]

    Installation Magazine No responses March 12, 2013
  • Lost Midas: Electro Vision

    LA’s Lost Midas builds audio texture with digital analogue. It’s a weekday afternoon and we find ourselves in a makeshift basement recording studio doubling as a humble and intimate apartment off the Sunset Strip.  The city noise outside grows dim and distant, muffled by egg crate foam adhered at various degrees on the low ceiling. […]

    A. Moret No responses March 12, 2013
  • Color My World with Sound

    “When I talk about color I try to make it clear that it doesn’t need to be perceived through something exclusively visual but with other senses.  If you can hear colors you can amplify the perceptions of the color and you can hear infrared and ultraviolet, so you can perceive more colors than through the […]

    A. Moret No responses June 1, 2012
  • Simmons + Burke: Free Flow

    Los Angeles based collaborators Case Simmons and Andrew Burke, better known as the collective Simmons and Burke, revel in the visual cacophony of the depths of Google and cyberspace.  By culling thousands of images from disparate sources inspired by themes of popular culture, kitsch, the cult, and the surreal, they construct Palettes whereby the source […]

    A. Moret No responses June 1, 2012