• Vincent Junier: Cut Out Life

    Vincent Junier began working with collage ten years ago by accident.  While recovering from a scooter injury, he was unable to use a computer and out of boredom began cutting out pictures.  The discovery of collage was an awakening for the artist and from that day on he hasn’t stopped.     Like some artists, my […]

    Vincent Junier One response July 26, 2013
  • Lisa Golightly: Flooded

    The works in the Floodline series reflect Lisa Golightly’s challenge to handle the uncertain outcome of acrylic paint and fabric dye on paper. The title Floodline has as much to do with the process and materials as it does to do with the subject.  Experimenting with fabric dye on paper in a method that uses […]

    A. Moret 3 responses July 12, 2013
  • Jen Stark: One Million Pieces

    I first heard about Jen Stark in 2007, when she cut one million pieces of paper to create the sculpture How to Become a Millionaire in 100 Days.  I couldn’t get it off my mind as I drove out to her studio.  The first thing I asked was if her hands hurt by the end […]

    Daniel Rolnik 4 responses July 4, 2013
  • Dadu Shin: Born from Lead and Paper

    Illustrator Dadu Shin uses his pencil as a guiding tool to translate his visions onto paper. Installation Magazine: The best place to start is the beginning- how did your journey as an artist begin? Dadu Shin: Art runs on my mother’s side of the family so I was exposed to it at an early age. […]

    A. Moret No responses May 4, 2013
  • Lisa Nilsson: Pulp Anatomy

    Science and art have long been relegated to the left and right brain respectively: two distinct modes of theory that confound the possibility for coexistence.  Pragmatism is pitted against creativity and order contends with unpredictability.  Although the technical practice of fine art is often analogous to a scientific one, art is consumed as though it […]

    A. Moret One response March 25, 2013