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Alana Dee Haynes: Woven with Ink
Through a sequence of intricate gestures, Alana Dee Haynes transforms photographs with delicate pen strokes. A collection of photographs serves as the artist’s canvas to explore the human form and opportunity to apply texture. UNTITLED I had been experimenting with lace patterns for a few weeks when I came across this series of double exposure […]
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Jen Stark: One Million Pieces
I first heard about Jen Stark in 2007, when she cut one million pieces of paper to create the sculpture How to Become a Millionaire in 100 Days. I couldn’t get it off my mind as I drove out to her studio. The first thing I asked was if her hands hurt by the end […]
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Hasan Kale: Ancient Mysticism
Installation Magazine: What influence has your native Istanbul had on your artistic practice? Hasan Kale: Istanbul is a city that many artists have tried to explain for centuries, but has always kept its mysticism. That’s the best part. It will always keep its secrecy and continue to be studied and re-invented. My job and my city […]
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Florent Tanet: Pictorial Gastronomy
Growing up we have always been told not to play with our food. French photographer Florent Tanet has a different thought on the matter and through the careful manipulation of fruits and vegetables, he coaxes precise compositions from the products we frequently encounter in the produce aisle. Installation Magazine: How did your journey as an artist […]
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Daniel Rolnik: Pop-Up Magic
In Issue 10 we presented an exclusive feature on Daniel Rolnik’s latest curatorial endeavor, THE PRINT POP COLLECTION at The Venice Art Walk. Now that a few weeks have passed, Daniel shares his thoughts with Installation on the success of the pop-up and the future of his newly co-founded venture Intellectual Property Prints. By Daniel […]
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Tchmo: Mash Up
Digital artist Tchmo calls the Internet his home. A virtual destination the reveals the cyclical nature of his work as it is the primary site of his source material and the vehicle that connects him to an international marketplace. Installation Magazine: In our email correspondence you mentioned that you don’t often discuss your work. Why is […]