This year has been a ‘Storm of Hope,” in many ways.  The phrase is anthemic and poignant in that it speaks to the eye of the storm that we have found ourselves in- one unprecedented rain after another.  Robert Longo looks to the unflinching photographic documentation of these moments and renders them by hand so […]

The paintings of Andy Moses possess an intense magnetism defined by a palette of hypnotic pearlescent hues.  The solo exhibition Recent Works on view at William Turner Gallery presents large-scale circular, hexagonal, and concave wood panels treated with a skillful hand conducting colors like a synesthesia symphony.  Oil and acrylic paint charge the surfaces, however, […]

“Did we forget? Life is a thrill!” The studio echoes with the unmistakable charismatic voice of Gregory Siff. The proclamation is accentuated by the cadence of his Brooklyn accent and while much of his face is covered by a cloth mask bearing the official logo of the Major League Baseball commission there are traces of […]

A note on the cover: The creative process is one that comes full circle.  When Installation Magazine was first introduced to the world, we were in print.  We were fortunate enough that Hugh Holland’s photograph “The Spectators” appeared on the cover.  Several years ago, Mona Kuhn collaborated with The Billboard Creative and fell in love with […]

Rainer Hosch captures faces and places with an unflinching authenticity. Installation Magazine has had the distinct privilege of working alongside Hosch since our founding and his vision helped us further define the aesthetic of the Vanguard editorial department.  While Hosch has an extensive series of portraits or as he would call them “mug shots” of […]

Dennis Dawson (represented by frosch&portmann, New York) reuses and rearranges media unearthed from consumer catalogues and other magazines, particularly loose pages that bear some prior purpose. By using material already existing materials, Dawson contributes to a dialogue of shared experience and interconnection.