My mother, she slew me, My father, he ate me, My sister, Marlene, Gathered my bones, Tied them in silk, For the juniper tree. Tweet, tweet, what a fine bird am I! – The Brothers Grimm, The Juniper Tree  There is no true way to measure the time Enrique Martínez Celaya spent studying and working tirelessly on The Sigh. […]

Nestled inside an industrial complex off a beaten path in Culver City, adjacent to lush sprawling grills hills of a cemetery lined with flowers from visiting loved ones, lies a sanctuary of artistic solace.  A modest black plaque rests on the exterior brick wall with a crest bearing the profile of a whale rising above […]

A large table sits in the middle of Richard Kraft’s Los Angeles based studio covered with a labyrinth of miniature pieces of paper, each perfectly cut and arranged in a systematic configuration that only the artist understands.  The pieces are so fragile they seem to require surgical tools to manipulate.  Kraft looks on to the […]

The past few years have seen the influence and quality of The Armory Show experience a steady decline.  Whether the fair suffers from a confusing layout, or constantly seeing the same artist with the same works presented by different galleries (what I like to call the “broken record syndrome”), or a mad rush for the […]

Art fairs are very sad affairs, as a whole. The reduction of an entire artist’s practice to a few square feet of temporary drywall, the three-second interactions between gallery and client that render works of art little more than mathematical utterances, the absolute lack of critical (not just negative) observation that is delivered after the […]

Maybe it’s cold outside on the streets of Manhattan and the forecast calls for snow tomorrow, but nothing can stop us from celebrating SPRING/BREAK.  A. Moret, Editor-in-Chief of Installation Magazine makes her curatorial debut for the fourth edition of NYC’s curator-driven art fair.  This year the theme is TRANSACTION and to help realize our interpretation of our […]