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Puzzling Plateau
Designed with innovation and engineering in mind, RockPaperRobot (RPR) develops high-end kinetic furniture and lighting. The tabletop illusion called the Float Table resembles a Rubik’s cube created from “magnitized” wooden cubes that levitate. Held together by a system of tensile steel cables, the Float Table is a handmade work of art for the home or studio. […]
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LUXX Mirrors: Geometric Reflections
Get lost in the sight of your own reflection. The LUXX mirrors from French designer Samuel Accoceberry are created from polished steel elements treated in gold, copper and night finishes and then assembled into a three-dimensional structure. The limited edition mirrors play with scale and geometry, transforming a flat surface into a sculptural relief.
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The Not-So-Standard Theater
Multi-disciplinary artist Nicole Disson has revitalized theatre and created new opportunities to present performances in Los Angeles. A dancer, performer and producer Disson’s theatre background brought her to Los Angeles in 2008. She has worked with artist Lita Albuquerque to recreate her seminal work SPINE OF THE EARTH for the Getty Museum’s Pacific Standard […]
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Issue 02 Foreword
Another jet takes off from the nearby runway and quickly disappears into the fading California sky. The residual drone of the engine briefly rattles the walls of our office and its roar then fades into silence. The sound that we once blamed for interrupting our creative rhythm is now part of our sonic vocabulary, a […]
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Raymond Delepierre: The Invisible Touch of Time
London based gallery rosenfeld porcini kicked off their cultural programming with an exclusive performance from experimental sound artist Raymond Delepierre on May 24. Installation spoke with the artist about his site-specific performance and the methodology behind his audio and visual practice. Installation Magazine: The performance Point.0 lasted a total of sixty minutes with four segments […]
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Chad Wys: Presence/Absence
Multi-disciplinary artist Chad Wys interrogates the infrastructure of art history. In appropriating the canon, Wys uses contemporary digital technology to intervene, and to siphon back through the history of art in order to extract kernels of information and misinformation. His practice is one of both revelation and obfuscation but leaves the meaning to be made […]