Rainer Hosch captures faces and places with an unflinching authenticity. Installation Magazine has had the distinct privilege of working alongside Hosch since our founding and his vision helped us further define the aesthetic of the Vanguard editorial department.  While Hosch has an extensive series of portraits or as he would call them “mug shots” of […]

“I, Cyborg,” on view at Gazelli Art House in London from October 6 through November 12, is an iteration of the exhibit “Cyborg” at Zurcher Gallery in New York, which was on display in December of 2015. “I, Cyborg” is an investigation into the confluence between cutting-edge philosophical, sociological and scientific interpretations of what it […]

“An investigation and a general misuse of photographic chemistry and 19th Century photographic techniques”… Brittany Nelson’s bio provides a clue to her process. The young Richmond-based artist’s medium of choice is the tintype, a unique direct-positive exposure revived by hipsters for portrait photography, though Nelson fexes this collodian process with panache and confdence into the […]

In the vibrant, emergent neighborhood of Manhattan’s Lower East Side, some of the most exciting contemporary art is evolving and being seen.  It’s no surprise, then, that a new kind of gallery would spring up, playing to more alternative and intimate tastes than those of the “white cube” variety housed in Chelsea or the Upper […]

Coinciding with Frieze London and Frieze Masters, Chinese artist Ai Weiwei was invited to slip his subversive, defiant installations and sculptures among the stately rooms at Blenheim Palace in Oxfordshire, the same home where Sir Winston Churchill was born. Founded by Lord Edward Spencer-Churchill and directed by contemporary art advisor and market commentator Michael Frahm, […]

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