A. Moret Founder, Artistic Director & Editor-in-Chief. Moret has developed a fine art editorial background in her contributions to regional and national publications. Before founding Installation, she was a member of the editorial team of the Los Angeles Times Magazine. A collector and art enthusiast, Moret curates our weekly features and inspiring collaborations.
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  • Patrick Mikhail Gallery PATRICK MIKHAIL GALLERY OTTAWA, CANADA VOLTA10 / BOOTH #C11 PATRICK MIKHAIL Owner   All images © Patrick Mikhail Gallery Polaroid © Installation Magazine No responses September 19, 2014
  • Luis De Jesus Los Angeles LUIS DE JESUS LOS ANGELES LOS ANGELES, CA VOLTA10 / BOOTH #C21 LUIS DE JESUS Owner   All images © of the artists and Luis De Jesus Los Angeles Polaroid © Installation Magazine No responses September 18, 2014
  • Jonathan Ferrara Gallery JONATHAN FERRARA GALLERY NEW ORLEANS, LA VOLTA10 / BOOTH #C18 JONATHAN FERRARA  Owner   How is the character of the artist reflected in the medium they worked with?   All images © Johathan Ferrara Gallery Polaroid © Installation Magazine No responses September 16, 2014
  • Beta Pictoris Gallery BETA PICTORIS GALLERY BIRMINGHAM, AL VOLTA10 / BOOTH #D10 GUIDO H. MAUS Owner   Installation:  Was this the first time Beta Pictoris Gallery has exhibited at Basel? Guido H. Maus:  Yes, this was the first time.  VOLTA has relationships with international curators and collectors and those connections have been immensely helpful in gaining international exposure for our […] No responses September 16, 2014
  • Siri Kaur: Plates + Slides Her images, originating in diverse locations including Iceland, New England, Alaska and Southern California, reveal an artistic practice that is deeply personal, yet universal, oscillating between anxiety and yearning for a better world.  Kaur’s haunting, signature use of light betrays unexpressed desires lurking behind her subjects’ ruminative gazes, while the eerily perfect settings feel inhabited […] No responses August 24, 2014
  • Visiting Vasa’s Studio   Over time the configurations of the set would change from leaning towers, to miniature fortresses, pyramids, or stacks.  Vasa’s work invites whoever may have been sitting in  front of  the  table  to interact  with  the cubes,  move them, hold them in the palm of their hand and admire the intricate prisms contained inside.  The […] One response August 24, 2014

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