Tait Hawes is the Managing Art Director at Vans.  While the culture of Vans embraces Hawes’ sensibility, he still looks to his own practice as a creative outlet, thus giving life to January.  Hawes has a motto, “Shut up and make shit.  Forget about the results.”  It seems to be working out well for him. […]

If Installation’s 15th Issue were a sitcom, it’s title would be something like “the one written in the artist’s words.”  For the first time each editorial department is written by a different contributor and thus the magazine reads with a crescendo of nuance and perspective.  Contributing Editor Daniel Rolnik visited Jen Stark’s Los Angeles studio […]

 A recent MFA graduate of CalArts, artist Chandler McWilliams examines the scrutiny that every art student endures- the critique. The group critique has taken on a nearly mythological status as the centerpiece of the contemporary MFA program.  As such it is occasionally attacked as pompous, ineffective, or futile.  Its detractors suggest that a crit is […]

Hair, eggshells, and Post-its transform once they enter Gabriel de la Mora’s laboratory.  Equipped with unique tools, the craftsman transmutes discarded materials into detailed works of art driven by process and investigation.  As he expresses, “My definition of art is parallel with the definition of energy, stated as: Art is not created or destroyed, it […]

Through a sequence of intricate gestures, Alana Dee Haynes transforms photographs with delicate pen strokes.  A collection of photographs serves as the artist’s canvas to explore the human form and opportunity to apply texture. UNTITLED I had been experimenting with lace patterns for a few weeks when I came across this series of double exposure […]

I first heard about Jen Stark in 2007, when she cut one million pieces of paper to create the sculpture How to Become a Millionaire in 100 Days.  I couldn’t get it off my mind as I drove out to her studio.  The first thing I asked was if her hands hurt by the end […]