Vanessa Beecroft.  VB66-VB67, 2010- 2011
Vanessa Beecroft.  VB66-VB67, 2010- 2011
Vanessa Beecroft.  VB66-VB67, 2010- 2011
Vanessa Beecroft.  VB66-VB67, 2010- 2011

Vanessa BeecroftVB66-VB67, 2010- 2011

(Source: nearlya)

This is an anechoic (echo-free) chamber. Alastair Philip Wiper documents the unintentional beauty of science and research facilities (via designboom).
This is an anechoic (echo-free) chamber. Alastair Philip Wiper documents the unintentional beauty of science and research facilities (via designboom).
This is an anechoic (echo-free) chamber. Alastair Philip Wiper documents the unintentional beauty of science and research facilities (via designboom).
This is an anechoic (echo-free) chamber. Alastair Philip Wiper documents the unintentional beauty of science and research facilities (via designboom).

This is an anechoic (echo-free) chamber. Alastair Philip Wiper documents the unintentional beauty of science and research facilities (via designboom).

(Source: wnycradiolab, via thisistheverge)

Photos by J.D. ‘Okhai Ojeikere chronicling sculpted and braided hairstyles in Nigeria over the last four decades are in “The Encyclopedic Palace,” the main exhibition at the Venice Biennale. His show ”Sartorial Moments and the Nearness of Yesterday” opens Thursday at the Museum of the African Diaspora in San Francisco.  

J.D. ‘Okhai Ojeikere, Onile Gogoro or Akaba, HairDo 273/75,1975. Encyclopedic Palace. ©J.D. ‘OKHAI OJEIKERE AND COURTESY FIFTY ONE FINE ART PHOTOGRAPHY.

(Source: letmypeopleshow, via niborama)

Urban Interventions by Fra.Biancoshock
Urban Interventions by Fra.Biancoshock
Urban Interventions by Fra.Biancoshock

Urban Interventions by Fra.Biancoshock

(Source: lustik, via junkculture)

Sol Lewitt, Centre Pompidou

(via wowgreat)

(Source: homespungeometry, via wowgreat)

(Source: johnwilliamwalters)

junkculture:

Artist Transforms Beach Debris into Site Specific Installations

Today’s installation
junkculture:

Artist Transforms Beach Debris into Site Specific Installations

Today’s installation
junkculture:

Artist Transforms Beach Debris into Site Specific Installations

Today’s installation

junkculture:

Artist Transforms Beach Debris into Site Specific Installations

Today’s installation

Sabine Pearlman has won the Lens Culture New & Emerging photographers award 2013 for her cross sections of ammunition with over 900 specimens revealing a hidden beautiful complexity to something we see as simple and destructive. Read the full article here
Sabine Pearlman has won the Lens Culture New & Emerging photographers award 2013 for her cross sections of ammunition with over 900 specimens revealing a hidden beautiful complexity to something we see as simple and destructive. Read the full article here
Sabine Pearlman has won the Lens Culture New & Emerging photographers award 2013 for her cross sections of ammunition with over 900 specimens revealing a hidden beautiful complexity to something we see as simple and destructive. Read the full article here
Sabine Pearlman has won the Lens Culture New & Emerging photographers award 2013 for her cross sections of ammunition with over 900 specimens revealing a hidden beautiful complexity to something we see as simple and destructive. Read the full article here

Sabine Pearlman has won the Lens Culture New & Emerging photographers award 2013 for her cross sections of ammunition with over 900 specimens revealing a hidden beautiful complexity to something we see as simple and destructive. Read the full article here

(Source: exhibition-ism)